Published on October 31 2014

Chill Carrier: "I simply can't help but make at least some music every single day!"

Chill Carrier is the German chillout, lounge and electronica project of Sebastian Kretzchmar, started in 2003. The project soon became the repository to save any of his chilly experiments. Ranging from lounge to breakbeat and trip-hop or just experimental tunes, it's a never-ending process of musical evolution, influenced by almost everything he comes across every day, people he meets, sounds he hears, things he sees. It's all somewhat sumed up in his tunes. On his all new releases, Sunday Classics Volume 1 & Volume 2he invites every one of us to step into his unique world of sound.




  • Hi Sebastian! First of all, can you tell our readers who Chill Carrier is, what’s the story and how did you start making music?


​​Chill Carrier is a project by me, Sebastian Kretzschmar, which came to life in 2003 to channel my more experimental and quieter output. I was born and raised in East Germany as a child of the 80s I was always intrigued by anything that made sounds ever since then. When a school buddy of mine introduced me to a so-called music tracker (Fasttracker 2 for MS-DOS) in the mid-90s soon not a single day would go by without me playing around with numerous electronic sounds and samples. And as I grew older those early Techno- and Trance-tunes (made under my first pseudonym "c. bass t.n.") started to go more and more into a smoother and experimental direction, what would eventually turn into the project as it is today.


  • What is the main idea/concept behind the "Sunday Classics" album series?

As I have dozens or even hundreds of never finished or at least never released tracks in my archive from the past two decades, I often come accross some of them when I'm in a nostalgic mood and cruise through those folders. And many times I come to think how unfortunate it is to have that little tune sit in the dusty dark archives of mine and never be heard by anyone. So I started to release each of them every Sunday during the last months on the project's Facebook page, calling them "Classic Sunday Freebies", wrapping them up into several volumes as "Sunday Classics" series from now on, to keep them nicely together.


Chill Carrier: "I simply can't help but make at least some music every single day!"
  • Are there any particular messages you would like to convey through those albums, and through your music in general?

Making music has become so much more than just some hobby, I simply can't help but make at least some music every single day. So most of the time a song is brought to life so quickly that there is not much time for deep thoughts upfront. But it did capture a bit of myself, a certain mood I was in, influences from my most favorite artists – and once I noticed that I could even reach other people with that music, I started to spread it freely around the net and Jamendo has been an amazing help with that. But to come back to your question: the music itself is my message.


  • You compose on a very wide range of music styles! If we listen to all your tracks, we can find some hip hop, ambient/lounge, electro/house, etc. We really feel like you want to explore every one of them. How would you define this plurality in your composition process?

Yes, you're right, it must seem like I had to cover a lot of ground when it comes to musical genres over the years, hehe. The reason for that is actually a wide range of other artists from many different parts of the musical world whose music inspires me deeply. That could be as distant from each other as electronic masters L.F.O. or Hans Zimmer and his beautiful orchestral soundtracks. Most of the time I suck that inspiration up and some months or years later it just leaves its marks on my own music. In general I love a certain contrast, for instance combining something cold and electronical with something warm and peaceful.


  • If we take a look in your personal music collection, what would we find ?


Well, now that is a good question. You will find a lot of independent electronic music, anything the has "80s" written on it, complete movie scores and everything from Röyksopp ;-), but also alternative and indie rock music, even some punk music, smooth and soft unplugged folk music – a bit of everything. At the moment I listen a lot to Arcade Fire, Kimbra and J.Viewz.


  • We understand this is a hard question, but: if you had to choose one song from all of your Sunday Classics tracks, Vol.1 and Vol.2, which one would it be and why?

Hmm...every track has it's own little story but there are only a few tracks that I made that still cause goosebumps when I listen to them myself. One of them is "Left Up There" the last track on Vol.1, also in its Dance-Version as first track on Vol. 1. I really like the chord progression and the mood of both versions, can't really tell why. The original version was also one of my first attemps on something soundtrack-ish, even with using my own vocals (which I had to stuff up with tons of effects to be easy about them beeing in the track ;)).

Chill Carrier: "I simply can't help but make at least some music every single day!"
  • Do you have any plans for the future?

At the moment I'm trying to bring my music production to a better quality level when it comes to overall sound engineering, and I'm looking forward to put that into the next "real" Chill Carrier album titled "Lucky Robot" which is supposed to take care of my noisy and glitchy electronic influences in an entire album for 2015. I'm also going deeper into orchestral score production since this year and all of it will continue to steadily flow right into every Chill Carrier tune to come. Sometimes I would also like to try out making music in realtime in front of actual people, which, and that I'm certain of, will come within the next years too.
I sometimes even dare to dream of conducting an orchestra playing "Moving Off Ground"... :)


Cheers Sebastian!


Thank you for the opportunity and support, I appreciate it very much!

iGet in touch with Chill Carrier!







Written by The Jamendo Team

Published on #Interviews

Published on October 24 2014

Fallen To Flux: "Recording our EP has been quite a journey and most certainly has forged us together as a band!"

Fallen to Flux are a four-piece metal band fronted by lead singer and guitarist Oli Clipsham; Guitarist Bjorn Gugu, bassist Luke Walley and drummer Chris Trem provide the backline. Their debut EP, Piece By Piece was released on 15th December, 2012. 2013’s follow up single Living with the Pain was recorded at Outhouse Studios and featured the band’s first music video.
The music is a fusion of contemporary heavy metal styles - heavily influenced by the likes of Bullet for my Valentine, Avenged Sevenfold and Killswitch Engage - and clean vocals with catchy progressions. The music is driven by two lead guitarists in a Judas Priest fashion and a heavy backline.
Mostly gigging in the London area, the band has launched its first tour at the end of 2013 reaching out to cities across Great Britain. At the moment, the band is recording its second EP featuring two new music videos.

  • Hi guys! First of all, can you tell us who Fallen To Flux are and what brought you together as a band?


Hello! We are a young hard rock quartet from London. We’re all at the same university studying sciences and this is also how we met. Oli (Guitar/Vox) and Chris (Drums) lived together in dorms and soon decided to start a band. Luke (Bass), being on the same course as Oli, quickly joined them and the group was completed by the addition of exchange student Pablo (Guitar). That was in the year 2011.

Pablo left our uni a year later and this is when Bjorn (Guitar) took his spot in the band, which completed the line-up that we are today. If you’re interested in our history, we’ve got it all neatly written down with nice pictures on our tumblr blog!


  • Is there a story behind your band name? How did you come up with it?


The name comes from Luke, who is the idealist of the band. Flux describes a state of change or chaos, and the name ‘Fallen to Flux’ therefore refers to society/individuals falling into a state of chaos/disarray. This reflects on Luke’s opinion of the attitudes and philosophies of the UK and the West, for example commercialism and money-orientated employment. This ‘falling into chaos’ also reflects on personal development, as reflected in Oli’s lyrical style.

Fallen To Flux: "Recording our EP has been quite a journey and most certainly has forged us together as a band!"
  • Can you tell us more about the creative process behind your music? Who writes the lyrics, composes, produces the music etc.? Is the work divided between the members of the band?


Typically Oli comes up with the lyrics and general idea of the song. He’d play the song to us a couple of times so we get an idea of where we want to go with it and from then on it is a group project. We each come up with ideas of our own to fill out the framework; we each write/refine our own parts in jams and once we’re all happy with it, we write them down/record them.

Finally, whenever we decide to record a track, we completely revise the piece. We get together and each one of us plays their parts and we analyse it note-by-note until we’re 100% happy with everything. Sometimes, we change songs quite dramatically, like in Relapse. We played this song for one year live and before the recording we changed well over 2 minutes of the song! This process takes well over a year, but the result is surely worth it!


  • We can hear that you get your inspiration from bands such as Bullet For My Valentine or Breaking Benjamin, focusing on clean vocals and heavy guitar riffs. How would you define your musical singularity? "Heavy modern rock" would be a good characterization of your genre?


Yes, we suppose so. It’s been quite difficult for us to decide on a genre, but right now we feel that “hard rock” or “heavy rock” is most suitable. None of us are fans of outrageous genre descriptions, so we’re happy just being called a “rock band”. If we tried to force our influences into a single label, it would most probably be something like classical-jazz-djent and nobody wants to say that every time we (or you) talk about our music.We’re still open to suggestions concerning our genre, so feel free to send us your ideas!

Fallen To Flux: "Recording our EP has been quite a journey and most certainly has forged us together as a band!"
  • Your first EP "Piece by Piece" and your single "Living With The Pain" were a real hit! I heard a brand new EP is on the way... Can you tell us a bit more about this upcoming release?


Thanks a lot, that’s very nice of you! Indeed, a new EP is already recorded and just waits for the last polish and the music videos and then we’re good to go! This EP is the most diverse and interesting thing we’ve done – everyone of us had an input in every song and you can hear how all our influences come together. For us this record has been quite a journey and most certainly has forged us together as a band. And we still get goose bumps when we go on stage and play the opener of the EP (yes, we play one of the songs already live)!


  • I bet your live performances are astounding. Do you have any live memories or stories you would like to share?


Luke prides himself of “moshing harder than everyone else in the audience”! We love playing and you can hear and see that! There is in fact one particular story: We were playing a gig in Manchester on an angled stage. Bjorn was basically forced to stand behind a pillar, so Oli and him moved as close together as possible. Now you might know that Bjorn has quite long hair. At said gig, he manage to wrap his hair into Oli’s headstock during the song “Behind closed eyes”. Both continued playing, Bjorn kneeling to Oli’s left, until someone from the audience disentangled it exactly before we went into the breakdown!

Fallen To Flux: "Recording our EP has been quite a journey and most certainly has forged us together as a band!"
  • One last question: If you had the opportunity to choose any venue in the whole world, to give your biggest concert ever, where would it be?


Oli: If we’re really talking “biggest” gig, then I guess I’d have to say Wembley Stadium. However, I’d rather “biggest” meant most successful, or the gig where we connected with fans the most... so I’d have to say Brixton Academy.

Bjorn: At some point I’d love to play in a place called Outback in my home town, but when it comes to biggest possible concert, then it’s the Budokan Arena in Tokyo!

Luke: Definitely the Underworld or the Roundhouse in Camden, just to follow in the footsteps of bands like Opeth or Monuments.

Chris: I must admit that I’m not really too fussed about the physical size of the venue. Like Oli I’m more concerned about the energy and the feel of the gig so Any venue could do it as long as it was packed to the rafters and BOUNCING! If I had to give one venue I’ve wanted to play at though it would probably be the Roundhouse in Camden.


Cheers guys!

Get in touch with Fallen To Flux!







Written by The Jamendo Team

Published on #Interviews

Published on October 20 2014

After two weeks of intense competition during which only the best Jamendo music was shared across Whyd, we've got a winner!


The three finalists were: Rwan - 13 tracks, Damien - 11 tracks, Chaffibwek - 8tracks and after hours of negotiation, Rwan reached the top of the podium!


Congratulations to him for his masterful harmony of tropical, poppy funk, elevated with an international electro spice, he's just won two concert tickets to the show of his choice!


We'd like to thank everyone who participated in this amazing contest!


Stay tuned!


Written by The Jamendo Team

Published on October 15 2014

Final Round: "We'll eventually get to writing a slow song here or there, but we like to rock!"

Final Round is a Rock/Punk/Pop band from Chicago formed in 2003. Members include Dan Lowes, Matt Hampson, Andy Lowes, and Jake Smith. The second full-length album from Final Round, "It Ends With Us Both Right Here," arrived in September 2014. It is a pop rock/punk album rich with vocal harmonies and guitar leads resonating influences from early work by Weezer, The Ataris, Jimmy Eat World, Foo Fighters, and others. Their first full length album "None of Us Will Ever Leave a Legacy" was recorded in 2006 by Dan Precision at the Bombshelter Recording Studio in Chicago, IL. 


  • First things first: who is Final Round and what's the story of the band? How did you all meet and happen to work together?


Matt: Hi, I’m Matt. I’m one of the singers, I play guitar, and I write the music. I guess I’ll tell the story of Final Round as I remember it. Before Final Round Dan and I were in a band called The Bruce Chi Affair with our friends Kevin and Caleb. It was the fastest, dirtiest, most fun pop-punk band you can imagine. Our songs were about things like mullets and trying to sleep with our friends’ sisters and heavily influenced by the Fat Wreck Chords compilation records at the time. When I started really getting into bands like Alkaline Trio, Jimmy Eat World, The Ataris, and Unwritten Law I decided it was time to start writing music in a new direction. It would still be fast and high-energy, but more guitar-rock driven. Thus, Final Round was born. We started with Kevin on guitar, who is a great guitar player and songwriter, but when he left the band to become a grown-up we got Andy, Dan’s brother, who is an amazing guitar player. On drums is Jake Smith, a great drummer who we've known since high school.


Dan: Hey I'm Dan, the bassist and singer; Matt and I both do lead vocals. We were friends in separate bands, one thing led to another and here we are!


  • You are a 100% punk-rock band. Can you tell us who your musical tastes and influences are?


M: The fast tempo and high energy of our songs I can definitely attribute to my pop-punk roots with bands like Alkaline Trio, Blink-182, NoFX, MxPx, Nerfherder, and so many more. My guitar leads and song structure are definitely influenced by Weezer and Foo Fighters. However, I personally consider The Ataris album “Blue Skies, Broken Hearts…Next 12 Exits” and Unwritten Law’s self-titled album to be the holy grails of the rock/pop-punk genre.


D: Listening to MxPx, NOFX, and Blink 182 really got me into music. After I started my first band and actually learned to sing decently, Jimmy Eat World had a pretty big influenece on my vocal styling. I also love Millencolin, Slick Shoes, New Found Glory, and Yellowcard.


How is the work divided between the four of you? Who writes the lyrics, the music, who takes care of the recording, the production etc?


M: I write the music, the lyrics, and get a good idea of what guitar leads I would like and then work them out with Andy. I do the same with Dan’s bass lines. For recording, there’s no one I would trust more than Dan Precision. He really cares about getting a good product out of his studio and has an ear for detail that I wouldn’t have believed possible if I didn’t know him. Not to mention the fact that we have so much fun in the studio with him! All of us are nerds about Star Wars, Lord of the Rings, and video games. We all respect each other, joke around like old friends, and are always comfortable shouting out whatever crazy ideas we have during the recording process.


Final Round: "We'll eventually get to writing a slow song here or there, but we like to rock!"
  • Your music is impeccably catchy. These amazing guitar riffs, drum sections and harmonies are on point. How do you come up with such an efficient cocktail? Do you work a lot on that (adjusting and tweaking) or does it all come together naturally?  


M: I would say that every good catchy song starts with a hook, be it a lyrical phrase or a guitar lead, and the rest of the song is built from there. Once you have that great chorus you can start building upon it with other parts to make it that much better. As far as the instruments are concerned, I consider myself very lucky. I’ll show Andy, Jake and Dan some ideas and they’ll build upon them in ways I never dreamed. I would say the most time is spent on the vocal harmonies. For each harmony you hear, Dan and I have probably tried 5 or more other versions of it before settling on that. That’s a lot of loud a capella singing while the 2 of us are driving! We’re pretty fun to go on car rides with, as you can imagine.


  • Is there a particular theme behind the lyrics of your songs? Where do you get the inspiration?


M: I think a general theme in my lyrics is to be as truthful and passionate as you can about your life experiences. Feeling everything that you can and expressing that makes for a great song. As far as inspiration goes, I’d have to quote the last song of our new album and say you should “take a year to get inspired, come back with guts and eyes of fire.” If you have nothing to write about, then you aren’t doing enough. Go out, travel, get involved in a terrible relationship, (good ones are too boring to write about), anything that you can be passionate about. So yeah, I write songs about my personal experiences, but at the same time I’m pretty jealous of those who can write amazing fictional songs.


D: Most of the songs are actual stories that happened in our lives. Matt just finds a way to put a great hook to it and create that moment in time in song form, we polish it up, and there you have it. I've always been a sucker for songs that tell stories, so I think we do a pretty good job in that department.



M: Definitely a bumpy road. Our inexperience made it take longer than expected and left no budget for advertising. Thankfully the songs turned out exactly how I wanted them to, which as a songwriter is the best thing possible.


D: It was definitely a learning experience. Although we had recorded many songs before, this was our first real professionally-recorded album. I think with everything, we just had a lot to learn about being in a studio with someone as professional as Dan Precision. But it was an amazing time, and we learned so much. I'm glad it turned out the way it did. I also think if we had an advertising budget it would have been heard an awful lot more.


  • This is an energetic record, with mostly uptempos. I bet your jam sessions must be quite a thing! Do you also have some slower songs?


M: Yes, we definitely love to keep things upbeat no matter what! Our jam sessions consist mostly of playing a song twice and then getting distracted by playing old NoFX, Weezer, and MxPx songs. On “None of Us…” aren’t That Right One and One Last Time pretty slow songs? Maybe those are just slow to me!


D: I'm sure we'll eventually get to writing a slow song here or there, but we like to rock. I love watching people dance around and sing to our music. 


Final Round: "We'll eventually get to writing a slow song here or there, but we like to rock!"
  • Is "Leaving a Legacy" part of your musical ambition? What would you like to achieve through your music?


M: The title track “None of Us Will Ever Leave a Legacy” sounds very depressing by name alone, but it is actually about how much we should treasure the period in time that we live in. The birth of pop-punk is something that I was a part of. It will be reborn decade after decade long after I’m gone, but it won’t be the same thing. Just as future generations mimicked hippies, greasers, and now even 90’s grunge, they’ll try to recreate it. But just like I say in the last lyrics of that song, “they’ll never have what we had during our days.” If my music doesn’t live on forever I’m perfectly fine with that because I’ve seen how it has affected people already.


D: This is where I disgaree with Matt. I hope to make it famous enough to have a large bronze statue of me flipping the bird erected in my home town. Although, I'd settle for a plague saying that I was a pretty cool guy...


  • Can you present us your new album "It Ends with Us Both Right Here"? What can we find in it? Could you tell us more about its story, its creation, recording process, etc.


M: Our new album “It Ends with Us Both Right Here” is a collection of songs we’ve been working on for years since the release of our last album. Things slowed down when I went away to college, but I never stopped writing. This album really represents my entire songwriting career and I believe the songs really show that. The opening track has lyrics I wrote when I was still in high school, other stuff is from our early punk days and still more was written while I was in college. The result is a great variety of songs and there’s definitely something for everyone on our album. And for recording, of course I’d choose none other than Dan Precision! We have a blast and make awesome music whenever we work together.


D: You'll find we pretty much picked up from where we left off with "None of us..." It;s full of catchy Harmonies, guitar harmonies, leads...and Jake Smith's excellent drum stylings, Before going in to record, Matt and I heavily focused on the vocals and harmonies, instead of winging it in studio like we did last time... We had probably 95% of the songs ready to go this time as well. There were still a lot of times where we'd record what we thought we liked, then Matt or I would just switch something up for fun and it'd sound great. I think that's my favorite part of being in the studio... you never know what is going to pop out of nowhere and make a song you thought was already good even better.


  • Do you have any live performances scheduled in the future? Speaking of live, let's say you have the opportunity to chose a venue, anywhere in the world, and a singer or band to perform with, where and who would you chose to do it with?


D: Actually, we'll be playing in October as Weezer in Chicago. After that we'll start focusing on booking up the next tour


M: Our goal for now is to make our music available to as many people as possible, get the word out, then start playing these new songs once all that is established. I can’t wait!


Anything to add?


D: Please be sure to check us out on facebook, bandcamp, or whatever you prefer. We love talking to our fans and hearing about how they feel about the new album, and all of that. I think social media gives us such a unique and amazing opportunity to interact with fans, and we do our best to get back to everyone that sends a message.


Thanks a lot !

iGet in touch with Final Round!






Written by The Jamendo Team

Published on #Interviews

Published on October 10 2014

Adrián Berenguer: "People who listen to my songs have to watch a movie in their minds"

Spanish born compositor from Alicante, Adrián Berenguer started music at the early age of 10 playing saxophone. One thing leads to another, he became an accomplished artist crafting masterpieces in every album released. Uplifting music, voluptuous tunes, kaleidoscopic songs, theatrical tracks... whatever the terms you choose to define his creations, everybody agrees on his ability to snatch you way in a "cinematographic" world where emotions rule. The third chapter of his movie "Camino" reveals a perfect balance between violin and piano which gives us, combined with other instruments, an astonishing performance.


  • Hi Adrián! Could you introduce yourself to our reader and tell us a little bit more about your story? How did you start making music and how did you become an artist?


I am in the world of music since a very early age. When I was 10, I started to study music and play saxophone. During that times I used to write my own piano and saxophone works. Later on, when I finished my musical studies, I started several projects like “Pura Mandanga” (group in which I play saxophone nowadays) and my own personal music pieces.



  • You are an exceptional soundtrack composer, every song you make is like a live painting. Can you tell us about the story behind your music? How would you define your musical world?


Normally, some of my works have their own history within them and others, on the other hand, want to express a particular feeling or sensation. My intention is that the people who listen to my songs have to watch a movie in their minds, a movie composed by their own personal experiences. That is the reason why the majority of the people who listen my songs tell me about their sensations about them and it is surprising to realize that everyone has felt different things.


Adrián Berenguer: "People who listen to my songs have to watch a movie in their minds"
  • Camino” is your third album release. A year ago we featured your second album, “Antimateria” (2013) on our homepage, did Jamendo have any impact on your life as an artist?


The fact that Jamendo published my album on its homepage last year made thousands of people aware of my music, and they enjoyed it. I received very good reviews about my earlier work and I hope I will obtain the same effect with this new album. Several songs from my previous album have been used for a lot of audiovisual works and it has been possible with my feature on the homepage of Jamendo.



  • The violin and the piano are noticeably frequent in your creations. “Mama” and “Marina” from your last album are admirable examples. How would you define the emphasis of those instruments in particular? Is it somehow linked to your musical influences?

In my music, the piano and the violin represent sweetness and affection. These instruments are able to transmit a lot of calm and serenity. Therefore these instruments usually appear in sentimental songs. I try to express my music as sincere as possible and to avoid influences from other authors, but that is impossible nowadays. I love the music by Danny Elfman, Keith Kenniff or Thomas Newman, they are exceptional composers.



  • When listening meticulously to your songs, the listener is going through a wide range of emotions, from sadness to happiness. Could you explain us your composition process? Does your mood influence your work, do you let your emotions seep in?

My compositions have much to do with the emotions that I feel at the moment when I am writing them. If I start to write them during a nostalgic day, the song will have this nostalgic atmosphere. Normally I try to express my feelings in my songs independently of the emotion that I am feeling at that time, it does not matter if it is sadness or joy. On the other hand, the listener also feels these emotions and he tries to move them to his own everyday life.





I hope to continue doing this which is what I like the most. When I am composing I am in a different world. The problem is that nowadays it is very difficult to make a living from music, but it is what I want to do and I will fight for that. Thanks to platforms as Jamendo it seems that the dream is a bit closer. Even so, I will continue writing and working to appear more often on the homepage of Jamendo!


  • One last question: is there any artist in the world that you absolutely dream of collaborating with?


Yes of course, I would love to work with a lot of people but if I have to choose I will choose artists like Keith Kenniff in order to learn from them all the things that I have not learn yet and to be able to enjoy their art.


Make sure to follow Adrián Berenguer...

...on Google+,

... on his Youtube channel,

... and of course, on Jamendo!

Written by The Jamendo Team

Published on #Interviews