When broadcast becomes the priority
Record labels went anger at Prince : on 15 of July, Prince decided to offer his latest album to readers of Bristish newspaper ‘The mail on Sunday‘. Whilst this is already old news, it is worthy of being looked at from another angle.
“Prince believes that the most important thing is to broadcast his music to as many people as possible” said the newspaper’s director. He was delighted about this particular profitable partnership with the newspaper, which publishes more than 2 million copies.
What is Prince’s main objective? Perhaps to play a dirty trick on Sony/BMG. It is certainly good publicity. Beyond that, however, could it be that he wants to ensure his album receives as much air time as possible?
With music as popular as ever, (high prices for concert tickets), Prince is aware that he will be able to make up for what he has lost in terms of sales through mediums other than the Cd itself. By offering his latest album ‘Planet earth’ to a large section of the public, he has ensured that his album gets a great deal of exposure in the music world and will provide a good source of income in the future.
Prince has done on a worldwide scale what Jamendo does for all registered artists on its website : he has tapped into a huge distribution network to release his music and ensure that it reaches a much larger audience. The link between public and artists becomes increasingly unlikely because of the overabundance of music. It is for this reason that music should be distributed as widely as possible.
In conclusion even if Prince’s music is not under the Creative Commons license, the method of broadcast used is quite similar to that of Jamendo. Perhaps the artist is starting to change his marketing strategy and ethic to the third way, which is the Jamendo way.
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August 22nd, 2007 at 3:03 pm
Jamendo does not do the same as the Daily Mail, and Prince is not the same as the artists registered in Jamendo. Their audience is big and “homogenous”, of a similar taste.
If looking at “The long tail”, Prince and Daily Mail are those that reach the vast majority of the audience. Jamendo is a platform to distribute artist works to many small different audiences.
Hence the challenge of platforms like Jamendo, to really empower and retain the artist with its public, and make a true communications channel out of this relationship. The challenge is doubled if we also take into account the heterogenous market behind alternative musicians: different venues, different ways to sell concert tickets… For Prince and Daily Mail, it was all easy: one day, one venue, one ticketing system.
Thereby a lot of work to be done remains to be done to effectively support alternative musicians.
November 7th, 2007 at 8:04 pm
Very interesting page